Animal Farm: at Quarry Theatre 12 – 29 March

New production images from this thrilling new version of Animal Farm at Leeds Playhouse show a bold, brutal, contemporary vision of George Orwell’s 80-year-old political fable. Directed by Amy Leach, Deputy Artistic Director at Leeds Playhouse, with Set and Costume Design by Hayley Grindle, these thrilling new Animal Farm images show a fresh interpretation of a classic story that is very […]
Northlight Arts Centre: Wet felted poppy fields Workshop 1 February

Learn how to make your own felt poppy landscape – relax and be creative. In this relaxed workshop, you will be taught the wet felting method to create your own felt poppy landscape, as pictured. It’s perfect for beginners! Your poppy picture will turn out a little different from the one below, because the process […]
Northern Ballet’s Jane Eyre: at Leeds Grand Theatre 14 – 22 March

Northern Ballet brings Yorkshire’s courageous literary heroine, Jane Eyre, back to Leeds as part of national tour. Audiences can join one of literature’s most iconic heroines on a journey of resilience, romance and redemption as Northern Ballet’s critically acclaimed Jane Eyre heads to Leeds Grand Theatre this spring from 14 – 22 March. Based on […]
Art History at Northlight Arts Centre – a Series of Talks

The Leeds Art History Group is delighted to bring you their new programme of leading voices on Arts and Culture in the North, delivering a series of accessible talks on fascinating subjects – from the Der Blaue Reiter to the Art and Artistry of the Persian Garden.. 12th February 7 – 9 p.m. Matthew Merrick […]
The Merchant of Venice 1936: at Quarry Theatre on 11 to 15 March

Tracy-Ann Oberman (EastEnders, Doctor Who, Friday Night Dinner) is reprising her starring role as the first British actress to play Shylock in a new national tour of The Merchant of Venice 1936 “The most important Shakespeare production of the year.”Daily Telegraph Audiences around the country have the chance to experience this “deeply relevant” (Daily Telegraph) play and, in particular, Oberman’s “astonishing, full-bloodied performance” (The Metro). Tracy-Ann Oberman: “I […]